Kodak Kodachrome 200

Color Reversal (Slide)ISO 200Discontinued

Characteristics

  • Grain: medium
  • Contrast: high
  • Latitude: narrow
  • Formats available: 35mm
Kodak Kodachrome 200
Image: Dnalor 01CC BY-SA 3.0

Kodak Kodachrome 200 was the fastest Kodachrome variant — the high-speed sibling of Kodachrome 25 and Kodachrome 64 in Kodak's discontinued K-14-process color reversal family. Kodachrome 200 was introduced in 1987 to compete with E-6 high-speed slide films and was the choice for low-light slide photography that needed Kodachrome's unique color science. Discontinued in 2007 alongside the rest of the Kodachrome family; K-14 process discontinued globally in December 2010 when Dwayne's Photo (Parsons, Kansas — the world's last K-14 lab) processed its final roll.

Key features

  • ISO 200 rated; medium grain (coarser than Kodachrome 64; finer than equivalent E-6 push of slower films)
  • Distinctive Kodachrome palette — warm reds, slightly cyan-shifted shadows, the "National Geographic look"
  • K-14 process — required Kodak's proprietary lab equipment; cannot be home-developed
  • Discontinued 2007 + K-14 process worldwide cessation December 2010
  • Available historically in 35mm only

Workflow

  • No longer processable in color — K-14 is gone globally as of December 30, 2010
  • B&W processing only — surviving Kodachrome 200 rolls can be developed as black-and-white in standard B&W chemistry, producing usable B&W negatives (the silver image is recoverable; the dye-coupling is not)
  • For freezer-stock photographers: expose at EI 200 and develop in HC-110 or D-76 for a B&W image

Practical notes

  • Kodachrome 200 is unrecoverable as a color image — even the most well-preserved freezer roll cannot be processed in color
  • The B&W-only fallback is a documented workflow but produces neither Kodachrome's character nor good B&W tonality — most photographers consider freezer-stock Kodachrome better used as a "shot-and-archived" novelty than a working medium
  • Existing developed Kodachrome slides remain viewable and scannable; the slides themselves are remarkably permanent (60-year-old Kodachromes still hold color)
  • Steve McCurry's "Afghan Girl" was shot on Kodachrome (ISO 64, not 200, but same family)

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